静 (Calm) (EP)
by 光淵 (Pool Of Light)
Jordan Vauvert
Jordan Vauvert
Il y a un plaisir que l'on se donne peu et que l'on a même peur de s'accorder : c'est celui qui consiste à ne rien faire, à être assis sans réfléchir, laisser tourner le monde autour de soi sans y prêter attention — activité qu'on nous a décrit comme étant presque un crime, encore plus aujourd'hui. Dans 静 (Calm), 光淵 (Pool Of Light) nous redonne ce plaisir. Anton Bogdanov improvise mais il ne construit rien. On a presque l'impression qu'il laisse tomber ses doigts sur la guitare. Ça fait du bien.
Favorite track: 静 (Calm) (EP).
electric silence
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about
Live improvisation.
No exploration, no meaning, no context, no statement.
No exploration, no meaning, no context, no statement.
credits
released December 4, 2020
Anton Bogdanov - guitars, bows, e-bows, synths, voices.
Recorded in China, 2019.
Anton Bogdanov - guitars, bows, e-bows, synths, voices.
Recorded in China, 2019.
license
all rights reserved
tags
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this entire collection is a musical love letter 💌
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Perfect while waking up on a Sunday morning by the ocean. Thank you for these gems.
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Serene ambient music that evokes guided meditation through the use of phase-shifting melodies, droning bass, and gauzy synth textures.
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Hypnotic ambient and drone music crests in the second track, which clocks in at a whopping 46 minutes. Mesmerizing from start to finish.
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by Metric System 1981Spacious ambient with a frosty atmosphere from Metric System 1981; one restored piece from the early '80s paired with a newer, darker work.
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Colla (Double Album)
by Carlo Giustinisupported by 12 fans who also own “静 (Calm) (EP)”
have yet to translate the song titles so the artist's intentions are somewhat of a mystery to me, but the wavering surface noise creates the theme of a dialogue between music & technology before becoming invisible to my ears. this conjures memories of listening to music as a child (long before the sterility of digital media), when i rarely took notice of the hiss & pops of records, 8-tracks, tapes, & am radio because they were a normal, necessary aspect of recorded sound. nice to be back again.
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